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《忆秦娥·秋萧索》原文翻译及赏析_作者黄机秋萧索梧桐落尽西风恶西风恶数声新雁数声残角离愁不管人飘泊年年孤负黄花约黄花约几重庭院几重帘幕这首词写游子的伤秋怀人之情首句写出了独处孤旅双在秋风叶落之时萦绕于游子心中的渴求温暖的呼唤为古今诗词的一个历久常新的主题的定下了萧杀的基调接着便展开具体描绘一叶落天下尽知秋秋天本来就容易引起离人的愁绪更何况此时此刻已不是黄叶方飘的初秋而是梧桐落尽的深秋呢词人于西风下着一恶字感情色彩十分强烈然而西风之恶还不止于落尽梧桐而已作者巧借此调叠句之格在强调西风恶三字后又引出数声新雁数声残角幽咽凄厉声声扣击着游子的心扉这样整个上片写出了一派浓重的秋意为下文写游子的愁绪渲染了氛围梧桐叶落西风雁声等意象的描写为下阙游子的孤寂之情的抒发奠定了基调离愁不管人飘泊离愁本是游子心中所生这里却将它拟人化离愁完全不顾及游子四处飘泊的痛苦处境久久不去折磨着人的心灵不管二字包含着多少无可奈何之情年年孤负黄花约游子的离愁如此难以排遣原来更有着期约难践的歉疚想当初临别这际自己与恋人相约在菊花开放的的秋天重逢可是花开几度人别数载事与愿违年年负约每念及此怎不令人肝肠寸断紧接着作者又用叠句将笔触伸向天边从恋人的角度写情有味的是作者只是描写了她的居处几重庭院几重帘幕然后戛然而止这就给读者留下了驰骋想象的余地那深深庭院里重重帘幕中的人儿是怎样忍受着相思的煎熬和独处的孤寂年复一年地翘首盼望游子归来已是不言而喻了总之此篇以直笔写游子离愁以墨写闺人之幽怨两地相思一种情愫在萧杀秋景的环境中更显得深挚动人
《江夏赠韦南陵冰》原文翻译及赏析_作者李白胡骄马惊沙尘起胡雏饮马天津水君为张掖近酒泉我窜三色九千里三色一作三巴天地再新法令宽夜郎迁客带霜寒西忆故人不可见东风吹梦到长安宁期此地忽相遇惊喜茫如堕烟雾玉箫金管喧四筵苦心不得申长句昨日绣衣倾绿尊病如桃李竟何言昔骑天子大宛马今乘款段诸侯门赖遇南平豁方寸复兼夫子持清论有似山开万里云四望青天解人闷人闷还心闷苦辛长苦辛愁来饮酒二千石寒灰重暖生阳春山公醉后能骑马别是风流贤主人头陀云月多僧气山水何曾称人意不然鸣笳按鼓戏沧流呼取江南女儿歌棹讴我且为君槌碎黄鹤楼君亦为吾倒却鹦鹉洲赤壁争雄如梦里且须歌舞宽离忧
《听蜀僧濬弹琴 / 听蜀僧浚弹琴》原文翻译及赏析_作者李白蜀僧抱绿绮西下峨眉峰为我一挥手如听万壑松客心洗流水余响入霜钟不觉碧山暮秋云暗几重
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